// TESTIMONIALS //
// Watershed // Pervasive Media Studio
“Splash & Ripple are a highly unusual outfit. Their work is thoughtful and nuanced, playful and engaging – a pretty rare blend. We have worked with Rosie and her team for over six years, in both collaborations and commissions and are proud to share a home in Pervasive Media Studio where they are generous collaborators. We are always excited to hear their thinking and try out their prototypes which blend activism, innovation, creativity and care in the beautiful ways.”
— Clare Reddington, CEO, Watershed
// Of Home and Each Other
“[Of Home and Each Other] is interactive experiential theatre of the most challenging and necessary kind. It’s a perfect example of Splash & Ripple’s uncompromising methodology, a unique interactive and deeply personal experience underpinned by thorough research, many hours of oral interviews and transcription, innovative sound design, and cutting edge theatrical writing.”
— Steve Poole, Professor of History and Heritage, UWE
// Blackpool Illuminated
// Arts Council Conference
"I’ve worked with Rosie and Splash & Ripple on a number of occasions, all of which involved the design of innovative and creative ways to get audiences to work together and build their perspective on a place or a situation. Rosie worked brilliantly to the brief that was set, always went over and above to find ways to engage people in new ways, and delivered on time and on budget. It was always a joyful experience to work with the Splash & Ripple team."
— Jonathan Harper, Arts Council Conference 2016
// Running to Flight
“I appreciated Rosie’s playful approach to making a new work, combined with her diligence in devising the resources necessary to make something work. She has a keen understanding of collaborative practice and a balance of creative and technical thinking.”
— Simon Poulter, Associate, Metal
// The Guild
“Rosie brought a wealth of play expertise, practical experience, creativity and reflexive rigour to the design and development process. The resulting game/ event provided a thoughtful and provocative experience of institutionalised inequality which was dynamic and playful.”
— Prof. Helen W. Kennedy, University of Nottingham
// Ghosts in the Garden
“This project revolutionised my thinking about making histories and engaging public audiences, and none of it would have happened without Rosie’s creative know-how and intuition. Working with Rosie is partnership practice of the best kind. She has a real knack for bringing creative teams together from diverse backgrounds for co-productive projects.”
— Steve Poole, Professor of History and Heritage, UWE
